J.S. Bach, Stephen King, And Creating Suspense

At readings or book club gatherings, I’m often asked some variation on the question, “When you’re working on a book, how do you ____?” Sometimes it’s “. . . come up with your ideas?” Sometimes, it’s “. . . develop your characters?” One of the most interesting questions is, “How do you create suspense?”

The usual answer is, of course, to hint at some trouble that’s going to happen to an important character, but don’t give enough information that the reader can figure out what it’s going to be. This advice is useful to a point, but for me, at least, it’s easier said than done. When I’m writing, I know what’s going to happen, and I can get far too confident that I’ve nicely concealed it from the reader. But like Freudian slips of the tongue, unconscious slips-of-information find their way into the writing, sometimes in the form of hints that go too far, at other times not-so-subtle clues that I hadn’t meant to divulge till later.

This is why an evaluation and critique by a good editor is so important. Even before I send a manuscript off to my editor, Lorna Lynch, my wife Michele will have often read a passage and said, “You’re making it too obvious. I’ve figured it out already!” (Back to the manuscript for another re-write!)

I follow a number of writers’ craft websites, where experienced writers offer advice on the multitude of “how to do its” that comprise the writing craft. This morning I came across a fascinating video by an editor, Dave King, in which he discusses how to generate strong suspense in a novel. What’s fascinating, though, is that as he explains his points, he illustrates them by playing a segment of the monumental Fantasia and Fugue in A-Minor, by J.S. Bach.

Being an organist myself—well, having studied pipe organ for about eight years in my teens and early twenties—this music is one of my most beloved pieces by my all-time most cherished composer for pipe organ. So, it was doubly exciting to hear Dave King play the segment he played, and also to see how skillfully he used it to illustrate what Stephen King (no relation to Dave) does to create suspense in his books.

Like to hear the music and what Dave King tells us about creating suspense? It’s at the Writer Unboxed website. I promise you’ll enjoy it, and you’ll learn (or re-learn) something about good writing!

Okay, my ten-minute timer just went off, so I’m off, too. See you next week.

Author: Bill Percy

I'm an award-winning Idaho author, my "second chapter" after 40 years as a Minnesota psychologist.During my Minnesota years, I wrote for and taught graduate students, switching to fiction in 2009. My 2014 novel, "Climbing the Coliseum," was a Finalist for the 2014 Foreword Reviews' Book of the Year Award, and in 2017 won the "Distinguished Favorite" (second-place) award in the New York City BIG BOOK Awards. My second novel, "Nobody's Safe Here," won the Distinguished Favorite award in the two separate competitions: The Independent Press Award contest and the New York City BIG BOOK Award, both in 2017. "The Bishop Burned the Lady" won the Indendent Press Award's Distinguished Favorite. Check out my website at www.BillPercyBooks.com.

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